Author’s Note: There WILL be spoilers. If you’ve not seen the movie, don’t read this review, as I know I’ll spoil something for you. Go see the movie. It’s a truly GREAT movie. Then come back and read, if you like.
To begin with, I’ll state my overall “rating” of the movie. The Dark Knight is one of the best movies I’ve ever seen…period. I won’t say it’s the best. It’s ONE of the best movies I’ve ever seen. It’s quite likely THE BEST comic book movie I’ve ever seen. I’m going to try to explain why, but even after seeing it twice, I’m afraid I’m going to ramble a bit. This is my best effort, though.
To begin with, The Dark Knight is a very different movie than Batman Begins. This may not be readily apparent, even to someone who has seen The Dark Knight. After all, they’re both Batman movies, right? They both have Gordon, Batman, Alfred, Fox, etc. Why should it be any different? The difference is first glimpsed in the title, which gives us a clue as to the vast shift in focus in this series. The name “Batman” is not found in the title. What is found in the title is the word “dark”. Those two differences or observations form the basis for the complete shift in this movie.
To begin with, this movie is not about Batman. I’ll talk about what it is about later in this review, but I will state that while the title indicates the movie is about the “Dark Knight”, it’s a bit misleading. He is in the movie, to be sure. He is variously called “the batman”, “Batman”, “Gotham’s Dark Knight”, in the movie, hearkening to the batman’s origins where he didn’t have a proper name. He was…the bat-man. But, he is not the focus of this movie.
Secondly, this movie is dark, as the second act ought to be. Gotham is in a bad way in this movie, and throughout the entire movie, no one is really sure what the solution is. Nothing could be more despair-inducing, and Bruce Wayne hits bottom a couple times, variously thinking that Batman ought to turn himself in, that he ought to just throw in the towel, realizing that he can’t be as bad as he needs to be to catch some of these really nasty criminals. By contrast, Gotham City is shown in the daylight, unlike in the first movie. Some people didn’t like this, but I really did, and I’m hoping to explain that a little more later as well.
Themes and Characters:
The Dark Knight, as I said, is not really a movie about Batman. The story is really Gotham’s story. The batman is an integral part of Gotham, so he’s going to be a main player in the telling of Gotham’s story, to be sure. But it’s not showcasing Batman. If you went into the theater expecting that Batman would be front-and-center, you might have been disappointed as some friends of mine were.
Director Christopher Nolan has said that the story is Harvey Dent’s (Two Face’s) story. I think, however, if that was his goal, he didn’t do such a good job. If, however, you see Harvey Dent as being a third of the personification of Gotham City, you’re going to understand the story that is being told far better than if you try and view Dent as a main character.
First off, Gotham City is a character in this movie. This is why I feel it was important to show Gotham City in the daylight. This character needs to be shown in the light, in the dark, and in between with light and dark being major themes in this movie. While portraying a city as a character is not new, it’s fresh in this story. With Batman Begins, we needed to know who the batman was. Why did he decide to fight crime outside the official means? What were the principles upon which he created his persona? The answers to these questions really inform us as to the turmoil that the batman is experiencing throughout The Dark Knight. It also created an expectation that all of the new Batman movies would delve into the psyche of Batman. However, the batman is only a portion of the Gotham City character in The Dark Knight. Harvey Dent is another part.
While Batman has often been referred to by the moniker, The Dark Knight, Gotham’s White Knight is equally as important in this movie. Gotham, as a city, contains elements of both dark (mob, other criminals and supervillains) and light, (people who want to genuinely help one another, Gordon and the non-corrupted cops). The solution to Gotham’s problems, and thus most of the personification of Gotham’s Personality, is composed of Batman, the masked vigilante who needs to operate outside the law to catch the criminals the cops can’t catch, and Gotham’s White Knight: The new District Attorney (Harvey “Two Face” Dent) who is working as tirelessly as Batman to get rid of crime in his city. Gotham’s White Knight can do from the light what Batman can only hope to accomplish in the cloak of night. Harvey Dent, with the assistance of Batman, is able to round up all of the major players of Gotham’s underworld in one fell swoop. This, among other things, presents Batman with a new vision of the future which he had not thought possible; one in which Batman may just not be necessary.
However, things in Gotham have actually worsened to an extent that no one is sure what the solution is. The mob continues to operate under a new boss. There are a couple other rival gangs that are working together to make miserable the lives of Gotham’s citizens, and underlying it all is this newcomer to the scene, the mysterious Joker.
The Joker has no backstory, no history at all. He makes up stories, seemingly on the spot, to explain where he got his telltale facial scars. And he is the third and final piece of Gotham’s character. He stands for chaos and anarchy, and nothing else. At one point, he even says to Dent, “Do I look like a guy with a plan??” Nope, he doesn’t look like that at all. But he IS the final piece of the personification of Gotham City. Batman and Dent represent a powerful force for good in Gotham. While they represent the light and darkness of the forces of good in Gotham, the Joker represents a seemingly equal force for evil in Gotham. At the very least, he presents a problem for both Batman and Dent.
How far can we go to eradicate evil?:
The Joker in this movie, is shown as evil without limits. We’re granted a peek of this when the mob banker is talking to the Joker in the first scene. “Thieves in this City used to have honor.” The Joker has no use for honor. Honor places limits on the Joker. We already understand that the police (both in real life, and in this movie) have limits. The entire need for the batman in Gotham City is created by the limits placed on the police. Jurisdiction, reasonable force, due process…these are limits that the batman almost does not have. However, in his exploration of the limits of society, the Joker discovers that the batman does indeed have limits. He won’t kill indiscriminately to catch the bad guy. This is Batman’s one rule that the Joker intends to push him past.
The batman realizes this partway through the movie. In addition, Batman copycats are starting to show up at crimes, with guns. This is NOT what Wayne intended when he created the Batman persona, and he’s conflicted a great deal in this movie about these two things. He knows that if he’s going to truly put an end to crime in Gotham, he’s going to have to flirt with his unbreakable rule far more than he even intended. In addition, he’s inspiring citizens to place their lives in danger. He doesn’t want to see citizens die, but realizes that not everyone is able to perform what he can perform. How far is too far, and is that a different answer for Harvey Dent than it is for Batman? That’s what Bruce Wayne has to decide here, and he’s torn. It’s a great portrayal of a difficult moral dilemma.
So how does the Joker propose to win?
The Joker tests people; he sees how far they’ll go to accomplish their goals. He sees two nearly incorruptible people and knows that one needs to fall. By testing them both, the Joker decides that if Batman is removed from the picture, the City will steel themselves against criminals and will rally behind Dent as the City’s public White Knight. If Dent falls, the City will stand behind Batman as the only way to eliminate crime. Killing either one won’t help him sow the seeds of chaos. However, discrediting them both will rock Gotham to its very core. By turning Dent, he knows that Batman will be forced to confront this new chaos, and either expose Dent for the criminal he has now become, thus invalidating all of Dent’s work to this point. Or else, Batman will have to take all of Dent’s crimes upon himself, thus extricating Dent from the entire situation, but removing Batman from the pedestal of public worship. It’s a masterful plan executed perfectly by the Joker.
Harvey “Two-Face” Dent: Tipping the balance of power:
At the beginning of The Dark Knight, Harvey Dent is a tireless public servant. He relentlessly pursues evil, has a face made for television, and is perceived as incorruptible. With Gotham’s three personifications, we can clearly see that while Batman and Dent represent the yin and yang of good in Gotham, there is no balance. The Joker appears to be at a distinct numerical disadvantage, and Good looks to win out in Gotham’s conflicted personality. The Joker’s strength, however, lies in chaos, which turns out to be the TRUE nemesis to Batman and Dent’s wall of justice. By subverting the rules and plans of Gotham’s knights, he is able to turn the one that both Commissioner Gordan and Batman call “the best of us” to the side of chaos. (Not evil per se, but that’s a discussion for another time.) Harvey Dent is shaken to his core by events which unfold, and he soon sees that law and justice could not protect him and his loved ones. (Of course, the Joker gives him the nudge he needs to really become chaotic.) Dent realizes, as Two Face, that the only fair arbiter of life or death is pure chance, and by turning him thus, the Joker wins a third of Gotham’s character over to his side. This is when things are darkest for Gotham.
The reason for the true darkness is that at the time of this shift, Batman still appears to be conflicted as to what Batman is willing to do to serve Gotham. What will he do to protect Gotham when the White Knight has been corrupted? Will Gotham survive? Can she? This is where I’ll end my spoilers. I think Nolan’s telling of Gotham’s story is better than my paltry explanation could ever be. Watch and see whether Gotham really survives and how.
Comparison to real-world themes:
I’ve heard it said that Batman is a pro-Bush movie, or that it deals with American foreign policy. There are a number of interesting parallels that can be drawn, but I think this has to do far more with the concept of archetypes and themes than it does with some manner of praising Bush for being the hero the world needs. The question of how far we can go to overcome evil is not limited to the “War on Terror”. We must look at this on a daily basis. How much force is appropriate for a given situation? Would it be better to just create a Judge Dredd-like force where a single group is judge-jury-executioner? It sure would save on court costs! But isn’t due process of law one of the things denied the Founding Fathers by King George; indeed, one of the things the Founders were fighting for? You see, the question of whether we can suspend our citizens’ rights to “catch the bad guy” is not unique to America’s current moral dilemma. In addition, the conversation between the Russian Ballerina, Bruce Wayne, Harvey Dent, and Rachel Dawes is not a commentary on President Bush’s seemingly limitless power. It’s quite appropriate for the story, and is letting you know what is going on in the hearts and minds of Gotham as the citizens are torn between a masked man who has taught them to not fear criminals and between the fact that said crusader is breaking laws to do so. The explanation by Dent that the Romans used to create a sort of absolute-power position in their government in times of trouble is showing that he knows the need for Batman in Gotham; at least until some of this cop-corruption is taken care of. Rachel’s reminder that the last dude who held that power was Caesar, who never let go is illustrating the real dilemma of putting that much power in someone.
Am I saying it’s not applicable to our present situation? No. A mark of a great piece of storytelling is that the concepts presented therein are applicable, whether intentional or not, to real life. In our lives, we must ask whether or not placing absolute power in the hands of Bush is a good idea. (It’s not.) We must ask whether we ought to suspend the rights of the citizenry in order to catch baddies. (We ought not.) However, the similarities between The Dark Knight and reality are tenuous at best, however applicable to our current predicament the story may be.
What about the manner of the telling?
Delivery is everything in storytelling, and The Dark Knight does not fail to deliver. The one thing that has stuck with me after all this time is Batman’s voice. As we saw in the Dark Knight, the batman is not a happy sort of person. He is menacing. He is a shadow. He is fear. He turns the fear the enemy is spreading in upon itself. While Batman Begins was a literal struggle against fear, Batman is even more embracing the shadow persona, which is important for the character. He needs to realize what he must become to truly defeat evil, and there is nothing quite like Batman’s voice to show the shadowy nature of the character. It’s gravelly, menacing, and you wouldn’t want that coming at you from the night. Really superb job, Bale, et. al.
So it’s good then?
Yes, it’s good. It’s all a manner of opinion, of course. There are plenty of people who don’t like it, but it’s rare to have this kind of agreement on a movie from so many critics. There’s a lot to take away from this movie, and that is the mark of a good movie. I’ve been thinking about the concepts presented in this movie for over a week now, and I can’t stop. I want to see the movie a third time. I want to own the movie. I want to know everything about what went into the making of this movie. I am truly nearly obsessed, and rightfully so, I think. Very few movies deal with themes, archetypes, and light vs. dark as effectively as The Dark Knight. While it’s not entirely about Batman, I think it was quite appropriate. If they had simply continued in the vein of the previous movie, I don’t think it would have done as well. Batman Begins told us about everything we needed to know about the batman. Future developments with the character would happen in his interactions with Gotham, and that is the story we got here. I expect there will be a third movie, though I don’t know if it will be a traditional close to the series, a la Return of the Jedi. I don’t know if it’s in the Batman character to end on a bright note. I don’t know that if they plan to do that, I want to see it. However, if Nolan is involved, I think he’ll do what we don’t expect…he’ll do what he needs to do.